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NO RESERVE PRICE
Here are 4
sequenced Panels still in the box
purchased in Saigon new in 1998.Each Panel is 31" x 15".
They are inlayed with mother of pearl and
ready to grace any wall.
As a traditional fine art which goes back
many years in Vietnam though no one knows for sure how many, Vietnamese lacquerware was handed down from generation to generation as a family
secret until the first half of the 20th century when the renovation in
the field led by excellent artists of Indochina Fine Arts school in Hanoi made
the occupation popular not only in Vietnam but also all over the world.
Since then, the legend of Vietnamese
lacquerware has really come true. Many generations of lacquer artists have
gradually enhanced the quality of Vietnamese lacquerware in the last seventy
years; discovering new materials to add to the palette of colored lacquers, the
method of mixing various colors, the process of creating the lacquerware and
particularly the technique of rubbing the lacquerware in water. Vietnamese lacquer art, however, is an
extremely time - consuming and labor - intensive work; Vietnamese lacquerware
is the hard work of many people: Lacquer artists, lacquer painters, and many
workers who shed their sweat to the fullest spending over 100 days through 20
stages to create the Vietnamese lacquerware. As a result, every
Vietnamese lacquerware bears the feelings of its creator: flexibility,
complexity and variety. The lacquerware seems to carry something now appears
now disappears passionately, ardently and magically. Many artists always say
that the first time they really saw the lacquer, it was its blackness that
impressed them. It is the black of the universe holding all things and having
incredible depth to it.
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